Screen

Jesse Archer (pictured, right) is the star, co-writer and co-producer of A Four-Letter Word, filmmaker Casper Andreas’ sequel (of sorts) to Slutty Summer. Bnews’ Nick Bond caught up with Jesse to find out more…

I noticed a lot of the cast from Slutty Summer also show up in A Four-Letter Word. You must be a close-knit group. (more…)

Ahh, High School. Those were the halcyon days of youth, readers- I spent many a blissful school-day hiding in the library stacks to avoid homophobic bullies during lunch hour (the sci-fi/fantasy shelves were best, being darkest, and a hardcover Tolkien made a good defensive weapon if caught); trying desperately to think of the more hideous lunch-ladies in the showers after PE to deflate surrounded-by-hot-guys-in-the-locker-room erections, and wishing we’d have less still-lives of bowls of fruit and more hot male life models to paint in Art Class. Hey- wait a minute, school wasn’t that much fun at all! Ahem, well, whilst I’m reliving my childhood trauma with the school guidance counselor and trying not to Hulk out every time I smell chalk dust, let’s catch up with the new students at a school that must have been really, really good. A school that was so good, that none of the students seemed to ever leave – even when they were in their early thirties. Class, open your geography books to the page on Beverly Hills, as we try and make the grade with 90210 (Monday September 8, Ten-8:30pm). (more…)

Co-written by Luc Besson (The Professional) and Robert Kamen (The Transporter), this film lives up to its pedigree as an edge-of-your-seat action thriller. Bryan (Liam Neeson) has had his daughter taken from him twice. The first time he was too busy working for the government (he coyly puts it that he was stopping bad people from doing bad things) to notice that his marriage was falling apart. The second time his seventeen year old daughter Kim (Maggie Grace) was kidnapped on holiday in Paris with her friend, whilst speaking to him on the phone to him. It’s not a plot-spoiler to tell you that she was adducted by a group of Albanians who subdue their captives with drugs and sell them as prostitutes - the more pure, the more money they can get for them. (more…)

Marjane Satrap grew up in Tehran where she attended a French high school. At the age of fourteen, she was sent to boarding school in Vienna, where she discovered the joy of shopping but was also terribly homesick. One day she went to the airport with the intention of returning home, but she just spent the whole day there, crying and watching the planes take off. This is the opening scene to the animated film, produced in the ‘traditional’ way rather than using computer graphics. It is based on the three graphic novels she has written about her life. She tells of the precocious nine-year-old growing up in Iran and how her life changed after the overthrow of the Shah and the outbreak of the war with Iraq. Marjane was fourteen when her parents, worried about her outspokenness as fundamentalists took power, sent her to school in Austria. (more…)

Most of us are familiar with the art-house films that were the result of the seventies revival of filmmaking in Australia - Picnic at Hanging Rock, My Brilliant Career, Caddie, The Chant of Jimmy Blacksmith, Newsfront. What most people wouldn’t be aware of is that the ‘coarse vulgar rubbish’ made at the same time, such as Alvin Purple, Adventures of Barry McKenzie and Stork, actually made much more money at the box office. Then there were the low budget B-grade films that were disgusting, degrading and explicit, and that was the whole point. Although most Australians have never heard of them, they were well known in many other parts of the world. Marc Hartley’s documentary has created a homage to the fast cheap films made by ‘ocker’ blokes who took chances. (more…)

Writer/director Garth Jennings has been busy with video clips and commercials since his debut film based on Douglas Adam’s Hitchhikers Guide to the Galaxy in 1999. Being in the first generation of video age kids, Jennings remembers his fearless childhood antics with a video camera. He also remembers seeing a pirate video copy of Rambo - the hero who could ‘leap from cliffs, sew up a cut in his own arm and take on a whole army just by using bits of the forest around him’. His hilarious, nostalgic celebration of childhood exuberance takes the audience back to the long summer days of 1982, when school corridors were endless and French exchange students seemed like they were from a different planet. (more…)

TASTY TATIES!

The Biggest Squid on CATALYST (Thurs Sept 4, ABC- 8pm) - Geekily cute scientist Dr.Graham Phillips brings us the dissection of a Colossal Squid (Mesonchoteuthis hamiltoni) found dead by a trawler near the Antarctic in May of this year. Very little is known about Colossal Squid except that they’re bigger, faster and much more predatory than their Giant Squid rellies – they can grow from anywhere from 50 to 60 feet, and perhaps much bigger. Given the fact that squid, cuttlefish and octopi are also the smartest of the invertebrates, you just know one of these is waiting for you to take a dip at Swanbourne to get revenge for the Calamari you had for dinner last week… (more…)

Wanting to Believe that the return of the X-files was a glorious thing, die hard X-fileophile Gavin Pitts was a more than willing reviewer for the latest from the X-files. The plot was kept tightly under wraps… the excitement on the webosphere was mounting… and then…

A truly disappointing film that in no way makes up for the lacklustre final two seasons of a once great TV show. The whole thing seems to be mostly composed of people going through the motions for a quick buck- it didn’t ‘feel’ like an X FILES at all (no conspiracies or aliens is fine - but no monsters, no suspense or even definitively paranormal events? What’s the point?). (more…)

With the immensely scary and gory vampire thrillers Night Watch (2004) and Day Watch (2006) to his credit, it is no surprise that Russian director Timur Bekmambeton’s first English-language film is off the scale in intensity. So much so, that it has departed from other films based on comic series and earned itself a ‘R’ rating. There’s plenty of violence and destruction in this exciting thriller with a killer twist, but there’s also a story about refusing to live in fear and seizing control of your life. (more…)

Working as a manager on a construction site with a concrete square as its centrepiece, Ray (David Roberts) finds out that life is full of temptations. First there is the steamy affair with young Carla (Claire Van Der Boom) whose husband Greg (Anthony Hayes) dabbles with criminal enterprises. Then there is the bag of cash that Carla finds in the roof of her house. It is too easy for Ray to hire small time arsonist Billy (Joel Edgerton) to burn down her house so that he and Carla can leave their loveless marriages with a heap of cash, but a tragic turn of events puts his life into overdrive. (more…)