Premium Content:

Review | 'Cousins' is a testament to the power of whānau

Cousins | Dir: Ainsley Gardiner & Briar Grace-Smith | ★ ★ ★ ★ ★ 

- Advertisement -

The final scene is the key to this wonderful film, and fortunately I was accompanied by a friend from New Zealand who was able to explain the powerful image of three symbolic colours swirling in the muddy water where three young girls are swimming and having fun.

Based on the book by Patricia Grace, the film tells the story of three cousins – Mata, Makareta and Missy. As carefree young girls, they dance and twirl in their best dresses that are coloured yellow, red and green. Life takes the three of them on very different journeys but the power of love and ‘whānau’ (meaning family but more complex to include physical, emotional and spiritual dimensions) is strong and they seek to reunite.

Makareta is slightly older and she is the spoilt one who was given privilege and an education, but she runs away from her family who try to arrange a marriage to study law. Missy is the rebellious one but she becomes the dutiful one who takes on the role of guardian of the family land.

Meanwhile, Mata is taken away from her family by her father and eventually ends up in a home for desolate children where she is raised as May. It is not only Australia that has the shame of taking children away from their culture and indoctrinating them under the auspiciousness of ‘care’.

Years pass and the narrative catches up with the girls when they are young and carefree, as teenagers when May is allowed to visit her grandparents and then as women in their sixties. All brilliantly depicted by the nine actors including Briar Grace-Smith who plays the adult version of Makareta. Grace-Smith also co-directs the film that she adapted her mother-in-law’s book for the screen.

Cousins is a powerful testament to the effects of institutionalisation on Māori children and their families, showing many parallels with the institutionalisation of indigenous children in other English-speaking countries built on colonisation. With images that will haunt the audience for some time, it is also a powerful testament to the power of whānau.

Lezly Herbert


You can support our work by subscribing to our Patreon
or contributing to our GoFundMe campaign.

Latest

Cavetown shares new collaboration with Chloe Moriondo

New album 'Running With Scissors' will mark a bold and deeply personal new chapter for the trans masc singer-songwriter.

Embrace the magic of ‘Studio 54: One Night Only’

Dive into the disco classics at The Ellington Jazz Club.

Sign up for ‘Sweat with Pride 2006’ this June

Whether taking part solo or as a team, you can help raise funds for LGBTIQA+ organsiations.

Fringe World show ‘Making of a Man’ explores masculinity

Making of a Man is a solo lecture performance by Quindell Orton blending dance, video, spoken word, and live camera.

Newsletter

Don't miss

Cavetown shares new collaboration with Chloe Moriondo

New album 'Running With Scissors' will mark a bold and deeply personal new chapter for the trans masc singer-songwriter.

Embrace the magic of ‘Studio 54: One Night Only’

Dive into the disco classics at The Ellington Jazz Club.

Sign up for ‘Sweat with Pride 2006’ this June

Whether taking part solo or as a team, you can help raise funds for LGBTIQA+ organsiations.

Fringe World show ‘Making of a Man’ explores masculinity

Making of a Man is a solo lecture performance by Quindell Orton blending dance, video, spoken word, and live camera.

Fringe World favourite Briefs will be back in 2026 with two experiences

Catch the for 'Briefs: The Works' and 'Hubba Hubba'.

Cavetown shares new collaboration with Chloe Moriondo

New album 'Running With Scissors' will mark a bold and deeply personal new chapter for the trans masc singer-songwriter.

Embrace the magic of ‘Studio 54: One Night Only’

Dive into the disco classics at The Ellington Jazz Club.

Sign up for ‘Sweat with Pride 2006’ this June

Whether taking part solo or as a team, you can help raise funds for LGBTIQA+ organsiations.