Premium Content:

M3GAN is a comedic horror that makes us think about what AI is leading to

M3GAN | Dir” Gerard Johnstone| In cinemas now | ★ ★ ★ ★

- Advertisement -

It was German expressionist Fritz Lang’s 1927 black and white science fiction film Metropolis that first introduced a robot with artificial intelligence to the big screen. Since then, there has been a succession of films featuring machines becoming more human, and concentrating on the threat they might pose to humans.

When Cady’s (Violet McGraw) parents are killed in a tragic car accident at the opening of this film, her aunt Gemma (Allison Williams) becomes her ill-equipped guardian. A gifted roboticist, Gemma really doesn’t know the first thing about children, so she creates Model 3 Generative Android (M3GAN), a child-like robot, to look after her niece and keep her from physical or emotional harm.

Working at the toy company Funki Toys, Gemma and her colleagues had previously created the successful ‘Purrpetual Petz’ that had an artificial intelligence that could observe and adapt to the needs of their young owners. Although untested, it seems that M3GAN has advanced that feature to become Cady’s best friend and protector and Cady becomes reliant on her.

Taking her role as protector a tad too seriously, M3GAN soon turns the film into a slasher movie, with the most detestable foes being the first to bloody the set. Interestingly the film is rated PG and I am glad I got to see it with a full audience, as I would have felt really guilty laughing so much if there hadn’t been other people around me also enjoying the subversive humour.

This cautionary tale about artificial intelligence and our reliance on technology is highly entertaining and relies on the fantastic performance by Amie Donald as M3GAN which is cleverly combined with animatronics, puppetry and the voice of Jenna Davis.

Not high on the horror scale of frights and scares (my 16-year-old companion described the film as a horror film for those people who don’t like horror films), and an abundance of humorous twists balance the atrocities that are unleashed as we consider where artificial intelligence is leading us.

Lezly Herbert

 


You can support our work by subscribing to our Patreon
or contributing to our GoFundMe campaign.

Latest

Cavetown shares new collaboration with Chloe Moriondo

New album 'Running With Scissors' will mark a bold and deeply personal new chapter for the trans masc singer-songwriter.

Embrace the magic of ‘Studio 54: One Night Only’

Dive into the disco classics at The Ellington Jazz Club.

Sign up for ‘Sweat with Pride 2006’ this June

Whether taking part solo or as a team, you can help raise funds for LGBTIQA+ organsiations.

Fringe World show ‘Making of a Man’ explores masculinity

Making of a Man is a solo lecture performance by Quindell Orton blending dance, video, spoken word, and live camera.

Newsletter

Don't miss

Cavetown shares new collaboration with Chloe Moriondo

New album 'Running With Scissors' will mark a bold and deeply personal new chapter for the trans masc singer-songwriter.

Embrace the magic of ‘Studio 54: One Night Only’

Dive into the disco classics at The Ellington Jazz Club.

Sign up for ‘Sweat with Pride 2006’ this June

Whether taking part solo or as a team, you can help raise funds for LGBTIQA+ organsiations.

Fringe World show ‘Making of a Man’ explores masculinity

Making of a Man is a solo lecture performance by Quindell Orton blending dance, video, spoken word, and live camera.

Fringe World favourite Briefs will be back in 2026 with two experiences

Catch the for 'Briefs: The Works' and 'Hubba Hubba'.

Cavetown shares new collaboration with Chloe Moriondo

New album 'Running With Scissors' will mark a bold and deeply personal new chapter for the trans masc singer-songwriter.

Embrace the magic of ‘Studio 54: One Night Only’

Dive into the disco classics at The Ellington Jazz Club.

Sign up for ‘Sweat with Pride 2006’ this June

Whether taking part solo or as a team, you can help raise funds for LGBTIQA+ organsiations.